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The questions worth asking before you engage an architect

A short list of the questions that, in our experience, are the most useful to put to a practice before you commit — and the answers that should reassure you.

By the time a client is sitting across from us in a first meeting, they have usually rehearsed a list of questions in their head. Most of those questions are not the ones that will tell them what they need to know. The useful questions are quieter, and tend to surface answers that reveal how a practice actually works, rather than how it presents.

These are the ones we would ask, if we were on the other side of the table.

Who will be doing the work after we sign?

The principal you meet in the first conversation may or may not be the architect drawing your project. In a small studio, they are the same person. In a larger one, the design might pass to a project architect after the concept phase. Neither is wrong, but the answer matters. Ask it openly. A good practice will name the people, describe their roles, and tell you who will be in the room at each phase.

What is the longest a project of this kind has taken you, and what happened?

Almost every architect can answer the average. The more useful question is about the outlier — the project that ran long, and the reasons it did. The answer will tell you how a practice handles unfamiliar planning environments, late client decisions, builder difficulties, or scope changes. You are not looking for them to claim a clean record. You are looking for them to describe what went wrong with clarity, and what they learned from it.

What is your fee structure, and what would push the fee outside it?

The fee proposal itself is straightforward. The more useful question is the second half — the conditions under which the work would exceed the original scope, and how variations are handled. A practice that has thought carefully about its fees will have a clear answer: what is included, what is excluded, and what is charged hourly. A practice that hesitates here, or answers vaguely, will usually invoice the same way.

How do you work with builders?

The relationship between architect and builder is the engine of the construction phase. Ask how a practice tenders work — to a small list of preferred builders, by open tender, or by negotiation with a single party. Ask how often they visit site during construction. Ask whether they administer the contract themselves, or hand it to a separate project manager. The answers describe what your build will actually feel like, week to week.

Can I speak to a client whose project went sideways?

This is the most useful question on the list, and the most uncomfortable to ask. A practice that can give you a name — and that the client picks up the phone — is a practice that handles difficulty in the open. A practice that deflects, or only offers references from frictionless projects, is one whose smooth surface you are paying a premium to maintain.

What would you push back on in our brief?

A good architect will already be doing this, gently, in the first meeting. If they are not, ask directly. Their answer should be specific: the bedroom count is one too many for the site, the budget is short of the program by perhaps fifteen per cent, the orientation of the living room is fighting the sun. You want a practice that has read the brief and formed a view, not one that agrees with everything to win the work.

What are you not the right studio for?

Asked late in the conversation, this is the question that separates honest practices from defensive ones. Every studio has projects it does not do well — scales it does not work at, programs it does not enjoy, clients whose pace does not match its own. A practice that can answer this clearly is one whose self-knowledge will protect the project from being taken on for the wrong reasons.

A small caveat

None of these questions, asked of any single practice, will be decisive. Asked of three or four practices in succession, the answers begin to map out the territory: who listens, who presents, who has thought carefully about the work and who is hoping you will be persuaded by the office. That map, far more than any portfolio, is what you are building when you choose.